An Interview with Josie
Neglia and Peta Sidall
By Edie Lewis
I've known Josie for quite a while now,
and never saw her so happy, the day she told me Peta Sidall asked her to be his
partner. Aside from being known for her world-famous Salsa Instructional
videos, Josie is an incredible dancer and a very thorough instructor. She
was my personal coach for many months, and showed me how
to be "sexy" on the dance floor. Her grace, moves, rhythm
and style leave people in awe just watching her. She's a dazzling performer, and
leaves audiences breathless. Professionally, I respect her to no
end. I'm very proud to know her, and especially, to be her friend.
Ladies and Gentlemen, Introducing the
Princess of Salsa, Ms. Josie Neglia...

Edie: How did the both of you meet?
Josie: I had just moved to California
(4 years ago) and was having dance a try-out with a prospective
competition partner named Curt (a friend of Peta's) and Peta came
along to supervise the try-out. Curt later became my dance partner for
International Latin competitions. Six months later, Peta & I were
working, side by side, at the Fred Astaire Dance Studio in Irvine, CA.
Peta was dancing with his former partner Marilynn Benitez, and I was
dancing with Curt.
We have always been good friends and we had many laughs in the year we worked
at Fred's. Being that we worked in the same studio and competed in the same
competitions with our other dance partners, the four of us traveled to many
competitions in various cities together. We would also go out some nights to
relax after a hard days work, to places like.. Hollywood Sky Bar and Mark's
Restaurant in Leguna Beach.
| Edie: How long have each of you been
dancing?
Peta: I have been dancing since the age of 6. I
did ballet first and then at 11 years of age, I did Latin/Ballroom
dance and started competing in England. I later traveled through
Europe competing as a junior with my 10-Dance partner at the time,
Paulette Daisy. At 15, I won the world title in the World Junior Latin
Championship.
|

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Josie: I have been dancing since the age of 7. I started in
jazz, ballet and tap, doing yearly recitals at Maxine's School of Dance in
Toronto. At the age of 18, I got accepted into York University's Dance Program
where I studied ballet and modern dance on a daily basis, and graduated 4 years
later with a bachelor's degree. I started ballroom/Latin dancing in my third
year of College when I was hired at Four Leaf Clover Dance studio as a teacher
trainee.
Edie: What style of dance will you be dancing together
competitively and for shows? (ie, Latin American Standard, International
Standard, Cabaret, Tin (sp?) Dancing etc)
Josie: Our dancing together will not be limited to any
particular style, however, we will compete in International Latin but we are
open to doing American Rhythm as well. At this point, we will be putting many
routines and show pieces together including: Rumba, Cha cha, Samba, Paso Doble,
Jive, for our International Latin competitions, and show pieces which include
Bolero, Theatre Arts, Mambo, Salsa (being one of our specialties), and new wave
and modern music shows.

Click to see full pic. |
Edie: Just because you meet someone who
dances well, does it mean they should be your partner. What was it
exactly that made you realize you wanted to become partners? |
Josie: A
professional dance partnership is more than just dancing & performing
and competing. That is just 10% of the relationship. Some often compare a dance
partnership to a marriage. It is a business partnership, where we invest time,
energy and lots of money in building our winning combination together. We are
also spending a great deal of time together planning, practicing, traveling,
teaching, socializing, and supporting each other emotionally- through stresses,
anxieties, nervousness, life situations and joys.
It is important that we have the same goals and ideas about success as well
as like each other personality.
| Peta asked Josie to dance firstly because he saw Josie
as a genuine person and it was added bonus that she was a talented
dancer & performer as well. The funny thing that happened 3 years
ago was, a childhood coach of Peta's named Sammy Stopford, told Peta
that he should be dancing with Josie the first time he saw her at the
Fred Astaire Studio, but Peta and Josie were both committed to other
partners at the time. Josie was so flattered and excited when Peta
asked her to dance. Peta has won many titles over the past 6 years
with other partners and she knew that this was an incredible
opportunity to compete with an amazing dancer who has a great name in
the Latin/Ballroom world. Also knowing Peta for the past 4 years, she
knew that he was a great guy that was easy to get along with and that
she respected him in many ways. |

Click to see full pic.
|
Edie: What does it take to be a good competitive Latin
ballroom partner?
Peta: Commitment & Longevity.
| Josie: A good partner for me, is one
whom I respect in both their physical ability (talents, knowledge) and
their personality. I know that Peta is very knowledgeable and
experienced and is loved and respected by the Latin/ballroom world and
for his dance abilities and his hard working wonderful electric
personality. He has always been a friend and has made me laugh to
tears so many times that I really love him as a person.. |

Click to see full pic |
Edie: Do you think there are the same requirements for
Salsa? If so, how is it different, or how is it similar?

Click to see full pic. |
Josie: Salsa is a street dance rather
than a notated specific technique, as is International Latin, however,
good dancing is good dancing and partnerships are a relationship. The
two dancers must respect and be able to relate on many levels in order
for it to be a successful and
stress free team. When it isn't, the "fun" is taken away,
and without that, the true spirit of dancing and performing are gone. |
Edie: Describe a typical practice session. The
training hours, days per week, etc, that you're investing.
Josie: There really is no typical practice session. When we
first started dancing together, we met 2 hours a day for 4 days that week, to
get a feeling for eachother's dancing, just leading & following Rumba, Cha
Cha and Samba. We video taped ourselves, and loved the look of our bodies
together as well as some of the movements/choreography that developed
spontaneously.
| The 2nd week, we started to put a Rumba together
(ourselves) using some of the video taped ideas that we liked and new
ideas. We started also meeting just to plan our course of action, in
terms of coaches we want to work with, goals, expectations, dates, and
business ideas like our Cha Cha instructional video. The third week we
started a cha cha routine and kept developing the Rumba. |

|
Once we have our routines together, we would normally practice 2
hours/day (4 to 6 days per week) unless we have a show or competition
deadline which involves more time.
 |
We would meet at a Studio (sometimes his, sometimes
mine) morning or evening, stretch and warm up our joints, free style a
little leading & following to a Cha cha or Rumba to get the blood
going, then turn off the music to start running through and working
out our routines. However, once our 5 competition routines are
complete, our practice session change. We would do a full run of all 5
dances with 30 seconds between each one to build stamina (no
stopping), then we would go through each routine to figure out rough
spots. |
Peta: No week is the same. Some weeks more, some weeks less,
depending on how well things are going. A philosophy I live by in dance is: Rome
was not built in one day.
Edie: You're planning an "assault" on the
dance world, tell us about it. In other words, what are your plans?
Peta: We are going to take both our backgrounds and come out
as a very unique couple. Performing and fulfilling our desires on the floor and
through the people that we teach.
Josie: we are no longer going to follow what others think or
feel. We know our capabilities and strengths and we are going to do what we are
best at. We will use coaches as our 3rd eye to complete our goals. Peta:
Ballroom dancing is more about politics than most are aware of, and Josie &
I used to be swayed very much by this in the past. However, Josie & I are
committed, first & foremost, to quality performances in our individual
expression of each dance, and the results are a bonus. We cannot control the
judges marks in competitions, we can only control our own dancing.
Edie: What were some of the
problems in the past with previous
partners that you don't think you'll run into with each other?

Josie: I don't think I will run into disrespect,
dishonesty and disloyalty with Peta. Also, because we know each other
first as friends, we won't be surprised with the weird personality
traits that partners run into when they don't know each other well.
I respect Peta's experience, knowledge and his opinion, so I will always
listen to what he feels and sees in our dancing. He is also very careful in how
he speaks to anyone, which is so important in avoiding hurt feelings or
defensive actions.
We have also verbally committed to each other. Other female dancers have
already approached Peta to dance, but Peta has told them and me numerous times
that he is committed to me. I have told him that I am committed to him as well
and that makes both of us "at ease".
| Peta: The big word is communication. In
dance, when you want your partner to do an Under-arm turn , you lift
the hand. When Josie & I have problems, we open our mouths and
communicate them so they no longer become a problem. As Josie's
partner, I believe in her. There solves most of the problems. |

|
Edie: Who have been your past teachers/instructors,
who do you respect in the industry, and who do you wish to emulate or aspire to
be like?
Josie: I have worked with many coaches and instructors. Some
of the most influential have been Jeff Henssen, Brian Torner, Ron Montez,
Melissa Dexter, Ray Rivers & Rick Valenzuela. Some of the most amazing
female Latin dancers in my eyes are Melissa Dexter, Shirley Ballas, & Vibeka
Toft. They are all feminine and sexy as
well as extremely fast and technical.
Peta: For me, a gentleman by the name of Peter Townshend- he
now resides in Amsterdam, and although he never achieved a major title, he was,
in my eyes, considered one of the best.
Edie: Have you done a performance or show since
teaming up? Josie: only in the studio that we practice in. We did our Rumba
routine to a gorgeous song, and the others in the studio watched and applauded
afterward.
 |
Peta: Josie & I free styled at the
Mayan Night Club and had a great response from the crowd who gathered
around and watched our Cha cha.
Edie: Peta, you will soon be
going to Japan to teach & perform. We'd like some details on that.
|
Peta: I will be doing many Latin & Salsa dance seminars
and private coaching lessons for the 2 weeks that I will be there. Also, I have
put together a flamenco and Paso Doble solo number to Madonna song "Don't
Cry For me Argentina". I will be visiting Tokyo, Narita, Osaka and
Hiroshima.
Edie: What other countries have the both of you
performed in? Where do you plan on competing?
Peta: I have performed in: France,
Italy, Germany, China, Spain, Slovenia, Belgium, & England (my
home town). We would like to dance in Australia and another tour of
China- it was a wonderful experience for me, and Europe would be great
as well as Israel.
Josie: Besides many of the U.S. states, I have
performed in Canada, Costa Rica, Cancun, and Japan. I would love to
perform & compete with Peta all over the world.
Edie: Do you plan to compete
internationally? We have not planned our competition schedule yet but
we are going to
England in October to train with great coaches and possibly compete in
the British Open.
Edie: I understand you're making a video. Can you elaborate
on it?
Josie: We decided that we want to make a cha cha
instructional video for social dancers. This video will teach the basics and
then we will show variations to "spice them up". It will consist of
variations like: adding rotation, level changes and variations of timing. We are
excited about doing this video and believe that it will be a great tool for
dancers who love Latin dance.
Edie: When will it be released?
Josie: Our goal is to have it released by the end of
July.
 |
Edie: And now for the ultimate
question. Why do you dance? Why is it such a passion in your lives. |
Peta: Without dancing in my life, would be the same as
taking a fish out of water. I couldn't imagine life without expression through
movement. I think through movement. God blessed me with dancing and I want to
honor the talents he gave me. To be paid to do something that's fun is cool too.
Josie: At some point in my life, probably in my mid teens, I
realized that I was put on this earth to dance and to give to others through
dance - either through inspiration or training. I get the most incredible
feeling of inspiration or kinesthetic appreciation when I watch gifted dancers
& performers. I hope that some of my performances can evoke those feelings
in others.
| Peta & I have also seen how our teaching dance to
individuals has changed their lives & enriched them in so many
ways. Dance has healed their bodies, increased their confidence,
enriched their social life, and has given them new skills and a
wonderful new passion. |
I read about the "runners' high" years ago, however, many may not
be aware of the "dancers' high". The "dancers' high", to me,
is the amazing feeling of fulfillment when I dance with a wonderful partner and
my enjoyment goes beyond just the physical movement or the physical moment- it
becomes something else- something much deeper, much more spiritual, much more
sensational; a feeling of "WOW".
I'm not sure everyone will understand this, but when I take a deep breathe
and feel the top of my lungs, I get a great tingle and feeling of satisfaction -
that is the similar sensation of fulfillment that I get with my "dancers'
high" (only 100 times more). This is what has kept me "hooked"
all these years.
I truly believe that I have the best profession in the world - DANCE AS A
PROFESSION, allows me to stay physically fit, perform on a daily basis,
socialize and constantly meet new people, have a challenge to constantly excel
at a physical skill, it allows me to give to others, have the respect and
gratitude of those that I give dance to, make good money, interesting business
to develop & increase, it allows me travel and gain world recognition, and
it gives me the freedom to make my own decisions. I am offering teaching courses
this fall, in both Salsa and Latin/Ballroom dance. Please visit my Teaching
Courses Page on my website www.dancexcitement.com
.
Edie: Best of luck to the both of you. I just
loved meeting Peta last night. You two will be absolutely phenomenal
together. You certainly deserve it Josie!!!!